  | Reboursière, L., Tiffon, V., & Dutoit, T. (07 June 2022). Guitar Improvisations with Hexaphonic Multieffect (Gihme) Dataset and Practice Analysis [Paper presentation]. Sound and Music Computing Conference 2022. doi:10.5281/zenodo.6573697  Peer reviewed Dataset : 10.5281/zenodo.6573697 |
Reboursière, L. (2022). Traitement sonore polyphonique et contrôle gestuel instrumental : retour sur une mise en oeuvre pratique de la guitare hexaphonique. In B. Navarret, M. Battier, P. Bruguière, ... P. Gonin (Eds.), Quand la guitare [s']électrise! (pp. 141-178). Paris, Unknown/unspecified: Sorbonne Université Presses. Peer reviewed |
Reboursière, L. (2021). Organologie, généalogie et pratique de la guitare hexaphonique : du traitement individuel des cordes aucontrôle gestuel instrumental [Doctoral thesis, UMONS - Université de Mons]. ORBi UMONS-University of Mons. https://orbi.umons.ac.be/handle/20.500.12907/43012 Dataset : http://theses.fr/2021LILUH052 |
Reboursière, L. (2020). Hexaphonic multi-effects - strings with effects and strings without. |
Reboursière, L. (2020). Hexaphonic multi-effects - Improvisation with controller (2/3). |
Reboursière, L. (2020). Hexaphonic multi-effects - Improvisation with controller (3/3). |
Reboursière, L. (2020). Hexaphonic multi-effets - Improvisations with controller 1/3. |
  | Reboursière, L. (25 October 2019). Généalogie, développement du contexte technique et pratique de la guitare hexaphonique [Paper presentation]. Journée des doctorants en Art et Sciences de l'Art, Mons, Belgium. |
Reboursière, L., Bricout, R., & Tiffon, V. (23 June 2016). La guitare hexaphonique : retours sur une première utilisation pratique [Paper presentation]. Quand la guitare [s']électrise !, Paris, France. |
 | Tilmanne, J., D'alessandro, N., Barborka, P., Bayansar, F., Bernardo, F., Fiebrink, R., Héloir, A., Hemery, E., Laraba, S., Moinet, A., Nunnar, F., Ravet, T., Reboursière, L., Sarasúa, A., Tits, M., Tits, N., & Zajega, F. (2015). Prototyping a New Audio-Visual Instrument Based on Extraction of High-Level Features on Full-Body Motion [Paper presentation]. Proceedings of the 10th International Summer Workshop on Multimodal Interfaces - eNTERFACE'15, Mons, Belgium. |
 | Reboursière, L., & Dupont, S. (30 November 2013). EGT: Enriched Guitar Transcription. Lecture Notes in Computer Science, 124, 163-168. Peer reviewed |
 | Astrinaki, M., D'alessandro, N., Reboursière, L., Moinet, A., & Dutoit, T. (2013). Mage 2.0: New features and its application in the development of a talking guitar [Paper presentation]. 13th Conference on New Interfaces for Musical Expression (NIME'13), Daejeon + Seoul, South Korea. |
 | Astrinaki, M., Reboursière, L., Moinet, A., R., G., D'alessandro, N., & Dutoit, T. (2012). Is This Guitar Talking or What !? [Paper presentation]. eNTERFACE'12, Metz, France. |
Reboursière, L., Lähdeoja, O., Drugman, T., Dupont, S., Picard-Limpens, C., & Riche, N. (2012). Left and right-hand guitar playing techniques detection [Paper presentation]. 12th Conference on New Interfaces for Musical Expression (NIME'12), Ann Arbor, Michigan, United States - Michigan. |
Lähdeoja, O., Reboursière, L., Drugman, T., Dupont, S., Picard-Limpens, C., & Riche, N. (2012). Detection des Techniques de Jeu de la Guitare [Paper presentation]. Journées d'Informatique Musicale (JIM 2012), Mons, Belgium. |
Lähdeoja, O., & Reboursière, L. (01 December 2011). Augmented Window. Quarterly Progress Scientific Report of the Numediart Research Program, 4 (4). |
 | Reboursière, L., Lähdeoja, O., Chessini Bose, R., Drugman, T., Dupont, S., Picard-Limpens, C., & Riche, N. (2011). Guitar As Controller. Quarterly Progress Scientific Report of the Numediart Research Program. |
 | John Anderson, M., Astrinaki, M., Chessini Bose, R., Reboursière, L., & Todoroff, T. (01 December 2010). Augmented Conductor. Quarterly Progress Scientific Report of the Numediart Research Program, 3 (4), 71-76. |
John Anderson, M., Reboursière, L., & Chessini, R. (01 September 2010). Developping Social Controllers. Quarterly Progress Scientific Report of the Numediart Research Program, 3 (3). |
Reboursière, L., Frisson, C., Lähdeoja, O., John Anderson, M., Picard-Limpens, C., & Todoroff, T. (2010). Multimodal Guitar : A Toolbox For Augmented Guitar Performances [Paper presentation]. 10th Conferece on New Interfaces for Musical Expression (NIME'10), Sydney, Australia. |
Frisson, C., Reboursière, L., Chu, W. Y., Lähdeoja, O., John Anderson, M., Picard-Limpens, C., Shen, A., & Todoroff, T. (01 September 2009). Multimodal Guitar : Performance Toolbox and Study Workbench. Quarterly Progress Scientific Report of the Numediart Research Program, 2 (3). |
 | Todoroff, T., & Reboursière, L. (2009). 1-D, 2-D and 3-D interpolation tools for MAX/MSP/Jitter [Paper presentation]. ICMC 2009 - International Computer Music Conference, Montreal, Quebec, Canada. |
 | Todoroff, T., Bettens, F., Chu, W. Y., & Reboursière, L. (2009). 'Extension du corps sonore' - Dancing Viola [Paper presentation]. New Interface for Musical Expression, Pittsburgh, United States. |
Frisson, C., Reboursière, L., Todoroff, T., & Filatriau, J.-J. (2009). Bodily benchmark : gestural/physiological analysis by remote/wearable sensing [Paper presentation]. QPSR of the numediart research program, . |
Frisson, C., Reboursière, L., Filatriau, J.-J., Todoroff, T., & Siebert, X. (01 March 2009). Behavioral Installations : emergent audiovisual installations influencd by visitor's behaviours. Quarterly Progress Scientific Report of the Numediart Research Program, 2 (5). |
Todoroff, T., Bettens, F., Chu, W. Y., & Reboursière, L. (01 December 2008). Dancing Viola. Quarterly Progress Scientific Report of the Numediart Research Program, 1 (4). |
 | Todoroff, T., Bettens, F., Chu, W. Y., & Reboursière, L. (01 December 2008). Project # 4.2 : Dancing Viola. Quarterly Progress Scientific Report of the Numediart Research Program, 1 (4), 129-146. |
 | Filatriau, J.-J., Dubuisson, T., Reboursière, L., & Todoroff, T. (01 June 2008). Project # 5 : breathing for opera. Quarterly Progress Scientific Report of the Numediart Research Program, 1 (2). |
